Tuesday, March 12, 2013

A MEMORABLE BIT OF PLASTIC?



Seriously dear readers.  I'm hoping that if you're old enough to remember this smash hit from 1979 that you'll offer an opinion on whether or not it was a ground-breaking, innovative bit of music or something that was just a novelty.  If you're of the younger generation, have a listens and pass on your thoughts.

mp3 : M - Pop Muzik
mp3 : M - M Factor

Here's the wiki entry:-


Pop Muzik" is a 1979 hit song by M, a project by Robin Scott.

Robin Scott describes the genesis of "Pop Muzik" this way:

"I was looking to make a fusion of various styles which somehow would summarise the last 25 years of pop music. It was a deliberate point I was trying to make. Whereas rock and roll had created a generation gap, disco was bringing people together on an enormous scale. That's why I really wanted to make a simple, bland statement, which was, 'All we're talking about basically (is) pop music."

The single was released in the UK first, peaking at number 2 on 12 May 1979, unable to break Art Garfunkel's 6-week stint at number 1 with "Bright Eyes". In August of that same year, it was released in North America, where it eventually climbed all the way to number one in Canada on 27 October and in the U.S. on 3 November. Along with Scott, other musicians who played on the track were his brother Julian Scott (on bass), then unknown keyboardist Wally Badarou, Canadian synthesiser programmer John Lewis (who died of AIDS in 1985) and Brigit Novik, the backing vocalist.

The single was bolstered by a promotional video that was well received. The clip featured Scott as a DJ singing into a microphone from behind an exaggerated turntable setup, at times flanked by two female models who sang and danced in a robotic manner. One of the sight gags in the video depicted Brigit Novik dressed in blue who actually recorded the backup vocals which are then mimed by the models. The single's B-side, "M Factor", was featured in two different versions. The original cut appeared on the first UK and European releases of the single, while a slightly remixed version appeared on the single released in the United States and Canada. The image of the baby on "Pop Muzik"'s single disc pictures Robin Scott's daughter, named Berenice, who is now a singer and piano/keyboard player and composer and involved with his father's friend Phil Gould and Wally Badarou projects.

Here is said video:-




For what it's worth......I'm in the camp that it is a timeless classic of its type.....and I don't think it's the least bit a joke or novelty period piece.  

13 comments:

Anonymous said...

Definitely NOT a novelty - more one of the late seventies great mix up of styles, reggae, rock, pop, eastern-meets-western. And the lyrics are just about how you feel when you hear pop music - quite sublime in a way.
M Factor got more plays from me back in the day, and still does when the CD of the album is dusted off.
Conrad

drew said...

I thought at the time and still do that it was rubbish

Anonymous said...

"If you're of the younger generation, have a listen and pass on your thoughts."

I'm one of the older generation and remember this when it came out. Is it alright if I pass wind?

;-) Gimme the Flying Lizards (for the novelty category) or the B-52s (for quirky pop) anyday. Thanks for the reminder though, I shall surf your blog with pleasant anticipation! Cheers, Dave Sez.

The Robster said...

Hmmm, I too am of the age where I remember this originally, and I was never that keen. Still not keen now if I'm being honest...

londonlee said...

I can't imagine anyone would think this a mere silly novelty. One of the records that "invented" the 80s far as I'm concerned.

acidted said...

ypu. loved it.

Nev said...

a pop gem - simple as that. Picked up a 7" vinyl copy of it for 30p a couple of weeks ago from a charity shop & it still sounds great. My 8 year old daughter was bopping round the room to it so I guess it still has some sort of appeal
Cheers
Nev

Jen Harvey said...

I wouldn't say it's a novelty record.
Wouldn't say I like it either though.

dickvandyke said...

I vividly recall that this had a big impact on a burgeoning record buying public. (Funnily enough though, I don't remember the picture sleeve at all).
To get to No 2, you had to shift some units alright. Pesky rabbits!

I also vaguely recall the 2 lasses miming to the song on TOTP. A shrewd move to ensnare the 15 yr old boy with pocket money to burn. I never succumbed to this in the record shop - as there was plenty of other preferable fayre to buy around that time.
Nonetheless - it was somewhat different & ground-breaking, save for a smattering of Roxy and a dabble of Bowie.
Always thought Robbie Williams lifted the ideas from M for one of his singles. Dunno what it was called?

Richard said...

Wasn't this the single that was released with both songs intertwined on one side of the 12", and you had to take your chances which of the two grooves you dropped the needle into?

Echorich said...

Pure pop. Groundbreaking synth led pop. Definitely opened the door for a lot of acts to come...Trevor Horn owes a debt....

Unknown said...

Bought this single when it came out (in the US) and listened to both sides many many times. The A-side still turns up on the radio here, but it's been a long time since I heard the b-side; guess I'm going to hear a different version of it now! Thanks!

Anonymous said...

Yep, I remember it. I would say it was quite a new thing, in spite of all the new sounds of that time. And very catchy. Like it or not, a classic.