Saturday, August 25, 2012
SATURDAY'S SCOTTISH SINGLE (PART 38)
From wiki:-
David Byrne (born May 14, 1952) is a Scottish-born musician and artist raised and resident in the United States, best known as a founding member and principal songwriter of the American new wave band Talking Heads, which was active between 1975 and 1991. Since then, Byrne has released his own solo recordings and worked with various media including film, photography, opera, and non-fiction.
David was born in Dumbarton, Scotland, to Tom and Emma Byrne. He was the elder of two children. Two years later, his parents moved to Hamilton, Ontario, and then to Arbutus, Maryland, when he was 8 or 9 years old. Byrne attended the Rhode Island School of Design (during the 1970-71 term) and the Maryland Institute College of Art (during the 1971-72 term) before dropping out and forming a band called "The Artistics" with fellow RISD student Chris Frantz. The band dissolved within a year, and the two moved to New York together with Frantz's girlfriend Tina Weymouth. Unable to find a bass player in New York, Frantz and Byrne persuaded Weymouth to learn to play the bass guitar. After some practice and playing together they founded the group Talking Heads which had its first gig in 1975. Multi-instrumentalist Jerry Harrison joined the group in 1977. The band released 8 studio albums before going into hiatus in 1988 David Byrne desired to go solo, but it took 3 years to announce that the band were breaking up in 1991.
During his time in the band, Byrne took on outside projects, collaborating with Brian Eno during 1979 and 1981 on the album My Life in the Bush of Ghosts, which attracted considerable critical acclaim due to its early use of analogue sampling and found sounds.
Rei Momo (1989) was the first solo album by Byrne, after leaving Talking Heads, that features mainly Afro-Cuban, Afro-Hispanic, and Brazilian song styles including popular dances including merengue, Cuban Son, samba, mambo, cumbia, cha-cha-chá, bomba, and charanga. His nextt album Uh-Oh (1992) featured a brass-section and was driven by catchy tracks such as "Girls on My Mind" and "The Cowboy Mambo (Hey Lookit Me Now)".
davidenryb (1994), was a more proper rock record, with Byrne playing most of the instruments on it, leaving percussion for session musicians. "Angels" and "Back in the Box" were the two main singles released from the album. For his next studio effort the emotional Feelings (1997), Byrne employed a brass orchestra called Black Cat Orchestra. Look into the Eyeball (2001) continued the same musical exploration of Feelings, but was compiled of more upbeat tracks, like those found on Uh-Oh. Grown Backwards (2004), released by Nonesuch Records, used orchestral string arrangements, and includes two operatic arias as well as a rework of X-Press 2 collaboration "Lazy".
He also launched a North American and Australian tour with the Tosca Strings. This tour ended with Los Angeles, San Diego and New York shows in August 2005. Byrne and Eno reunited for his eighth album Everything That Happens Will Happen Today (2008). He assembled a band to tour worldwide for the album for a six-month period from late 2008 through early 2009 on the Songs of David Byrne and Brian Eno Tour. In September 2012, Byrne and St. Vincent will release a collaborative album, titled Love This Giant.
What wiki doesn't mention is that in between the first Eno collaboration in 81 and the initial solo LP in 89 there was a solo single in 87. It's not all that great but I do have a copy in the cupboard:-
mp3 : David Byrne - Big Blue Plymouth (Eyes Wide Open)
The b-sides are of curiosity value only:-
mp3 : David Byrne - Leg Bells
mp3 : David Byrne - Light Bath
They all sound like songs rejected by his band.....
Next up.......Deacon Blue
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1 comment:
This single was from a score Byrne did for Twyla Tharp which was produced on Broadway called The Catherine Wheel. It was also released in 1981. The Score was released on LP, then on CD in 1990 (I think). The only other piece from the album the people might recognise is What A Day That Was, which was performed live on the Speaking In Tongues tour and a libve version can be found on the Stop Making Sense video/DVD.
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