There's been an substantial number of good reviews about this book.....and here's another one coming.For those of you who don't know, Luke Haines first came to fame as a member of The Autuers, before later making records under his own name, as well as a member of Baader Meinhof and Black Box Recorder. The fact that first chart success coincided with the rise of a few other UK bands at a time when American bands and grunge was the dominant force. This led to Mr Haines, along with the likes of Brett Anderson of Suede, to be christened as the founding-fathers of Britpop....
But this bio, which covers 1992 -1997, makes it quite clear that Luke Haines had very no time or most of his peers. Indeed, an anecdote that pre-dates The Autuers has the author admitting and illustrating that he has always had an arrogant and cocky attitude, an astounding sense of self-importance and a massive ego. But he argues that he had the talent which justified all of this and therefore has every right to be so dismissive of those in the music industry whom he felt had little or no ability.
There's a very long roll-call of folk who really do get it with both barrels within the 243 pages, some of them being heroes of mine that I have long loved and admired (e.g. Matt Johnson of The The). Sometimes I was wincing as I read a particularly barbed paragraph, but mostly I was nodding in agreement, or indeed laughing out loud.
By the end of the book, I had no doubt in my mind that Luke Haines is someone who cares passionately about music, but has no time not for the music industry or those who service it. Some of his best passages are about journalists, and he takes great pleasure in some of the things said about him over the years. For instance, one scathing reviewer in Melody Maker thought they were insulting him by describing him as the new Nick Lowe, little realising that for Luke Haines, that was just about as big a compliment he could be given.
One of the other things the book reminded me of was how few Britpop singles went to #1 and how the very highest echelons of the pop charts were as rank rotten during this so-called golden era as they are now - Mr Blobby, 2 Unlimited, Take That, Mariah Carey, East 17 and Robson & Jerome are among the acts that hit the top spot. And what Luke Haines has written has got me thinking just how much of Britpop will be truly remembered in 20 or 30 years time outwith Blur, Pulp, Suede and Oasis (and of course, the first two of these bands had been around for a few years before the actual movement).
I don't agree with every word that is in the book as I reckon a number of the acts that Luke rails against had some talent. In the introduction, our esteemed author makes it quite clear that he wishes things had turned out differently, and while there's a lot of bitterness, the vitriol and poison is laced with too much humour, much of it self-deprecating, for the book to leave any lingering bad taste. Indeed in his intro, the author makes it clear the he didn't set out on a exercise in score settling - although he also acknowledges that the casual reader may have every reason to beg differ - and that what he has written is very much what he thought at the time, not necessarily what he thinks now. Nor does he bear any ill towards the people and characters in the book.....although I think that might just be stretching things a bit far.
I'm guessing that most folk who pop into TVV consider themselves fairly serious music fans. Well, I reckon every serious music fan would enjoy devouring Bad Vibes on first reading, and then a few weeks later will be more than happy to read it again....it's a real early highlight of 2009.
Oh and it also made me want to go back and listen to some of the great music he's made over the years:-
mp3 : The Auteurs - How Could I Be Wrong (1993)
mp3 : The Auteurs - Lenny Valentino (1994)
mp3 : The Auteurs - Unsolved Child Murder (live on French Radio) (1996)
mp3 : Black Box Recorder - The Facts Of Life (2000)
mp3 : Black Box Recorder - Andrew Ridgeley (2003)
mp3 : Luke Haines - Leeds United (2007)
Buy the book from here. And if you don't any Luke Haines music, well you really should do something about it.
Happy Listening......and reading.
13 comments:
How does it compare to Kill Your Friends?
'Kill Your Friends' is of course a work of fiction, so its impossible to make a direct comparison.
But I reckon its a fair shout to say that if you even remotely enjoyed John Niven's book, then there will be plenty in Luke's book to make you happy
No "Ostros" then?
I've ordered my copy from Amazon following your heads up last week.
It sounds fantastic.
I'm really looking forward to reading this. Might buy it myself as an early birthday pressie.
Well, I hope this is a trend that will continue. Great review!
What no Baader Meinhof?
One of the things annoying me most about being utterly skint at the moment is that I've not been able to buy this yet. Soon though, it will be mine.
Thanks for that!
Another one to add to my 'it's not really about Leeds' collection.
Hi Beth. Can you help me with what the Leeds Utd song is about please?
Notwithstanding the Auters 'The South Will Rise Again' and the David Peace stuff, I'm struggling to get beyond the literal meaning of the lyrics. He certainly seems to know Leeds from a number of local references. He's a bit too young to have gone to matches at Elland Rd in the 70s in anger. The Ripper/Doris Stokes refs scratch the surface.
By the way, I was an extra in the 'Damned United' - to be released in March this year. Yer man Michael Sheen is rather good indeed and Colm Meaney is a ringer for Revie.
C'mon DVD...what sort of extra?? A reserve team player?????
I'm looking forward to The Damned Utd film, but slightly worried that, as usually seems to be the case, that the adaptation doesnt come near the genius of the book.
As for the song, I just assumed it was just about being a bloke in the pre-punk 70s and its been tied-in with Leeds Utd thing cos they're the team most of us associate with that era....but then again, given that Luke Haines has gotten very friendly with David Peace (playing songs at book-signing sessions for instance), it might just be a bit of a tribute to his mate's succesful novel...
I'm a be-wigged, sideburned tracksuited coach/trainer from 1974. I am unlikely to feature.
The whole thing was genuinely fascinating/surreal/gobsmacking for me, as I was there the first time round.
Fancy a pint and a discussion? ...
I see what your saying about Luke's generics, but his highbrow mixed messages of 'anti-nostalgia' confuse this simple boy. (We clearly like nostalgia don't we jc?) 'Stopping for a pint in Chapeltown (definately not recommended circa '77 - between the Race Riot years).
I certainly recall the Kop at Leeds baiting the Police with the latest Ripper 'score' update. Sutcliffe had murdered 6 or 7 by the end of '77. Luke was barely 10 yrs old.
To use Leeds Utd as a metaphor for the doom n gloom of the late 70s (if that's what he's doing?) is, to my mind pretty lazy and smacks of too many light ales with Peace in neighbouring Wakefield (or the Huddersfield town end of Leeds Road).
I'll have a butchers at the book though mate, and thanks for the enlightenment.
This wee forum is great!
I'm off to play.com to order the book. Always thought Luke Haines was pretty good, kinda like George Harrison in The Beatles. Constantly overlooked by th other 2 (John/Paul Oasis/Blur) but consistently good stuff if you bothered to look. Baader Meinhof were seriously underrated.
Perhaps I was just being lazy? Maybe I should've said, it's not really about Leeds Utd the football team, in the way that 'Strachan' by The Hitchers is about Leeds Utd the football team* - and then what JC has already said.
There can't be enough songs in this vein about/not about Leeds as far as I'm concerned.
(*While being much more about Leeds/Football than Amanda Palmer's 'Leeds United'!!)
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