I REALLY WANT YOU ALL TO READ THIS
I normally direct folk to things elsewhere, but in case you're too lazy to follow the link, I'm doing a cut and paste job:-
So, I was watching the news a few nights ago and this year it seems the Canadian news has bothered to report on the UK Christmas number one. Apparently, it's newsworthy this time because three versions of Hallelujah are competing for the top spot: the original by Leonard Cohen, the cover by Jeff Buckley and the cover by Alexandra Burke, some woman from X-Factor. The saddest part of the story was the fact that the X-Factor version was winning. To be clear, I don't ever really care what the Christmas number one is, especially when that type of thing is usually dominated by transitive pop acts and/or Cliff Richards, but this time I feel the vitriol rising in me. Maybe it's a combination of how much I see Christmas as a hypocritical commercial sham, how much I despise music "talent" shows, and how much I loathe the popular music industry right now.
I've never seen X-Factor despite having lived a total of at least a year in the UK over the past eight years of various trips, but I gather that it's like Pop Idol and all its nefarious, ubiquitous versions. To attempt a fair assessment, I did bother to listen to the X-Factor version. It boggled my mind how a song that can nearly bring me to tears when done by Jeff Buckley could make me feel so utterly devoid of feeling when sung by Alexandra Burke. I had always thought that Cohen's song was so incredible for the very fact that its composition, lyrical and musical, made it a song that will always swell and break your heart. I thought that minor fall and the major lift was guaranteed to tap into your soul. I was wrong. Though I've never been hugely fond of Cohen singing the song himself, especially when compared to Buckley, Burke manages to miss the point of the song entirely. The fragility is gone. In it's place is an overdone mess filled with so many unneccessary runs that it's like a cheap, shredded nylon stocking. And the choir backing her just compounds the ham-fisted approach of plastic spirituality.
This musical sacrilige shouldn't bother me as much as it does when these are the same people who bought enough singles to force that Band Aid song into the number one spot three times. Real music fans don't care about Christmas number ones, nor about participating them, so it shouldn't matter. The Black Arts' wonderful mockery of the whole stupidity of the Christmas number one, which I included in my Christmas mix, was rather predictably beaten by a long shot by another X-Factor winner last year. Perhaps equally depressing was the fact that the Christmas classic from The Pogues and Kirsty MacColl was also beaten by X-Factor. And Burke's win this year means singles from the X-Factor have been Christmas number ones for four consecutive times. That's abhorrent. It's also evidence that the general public isn't composed of music fans, which I also shouldn't find surprising.
In the same news report about the Christmas number one, there was story about how music sold this year - apparently, in times of economic crisis, people stick with what they know, thus putting Coldplay, AC/DC and Metallica into the top album slots for this year. I don't think this kind of consumer behaviour is restricted to economic recession - it's what most people do on a regular basis in every facet of their life. People like to be comfortable; they don't want to think too much or be inconvenienced for the sake of truth or multiple versions of truth. It makes me grieve a little for those who never take a chance on something new or who always desire the utterly artless and artificial, which they deem "reality." These are the people driving the world, let alone the music industry. It only proves that the music industry as it stands is a rotting corpse for a necrophiliac public, and that music that actually is innovative art needs to find new channels and keep going if only to keep real music fans from losing their minds.
That was penned the other day by Anglopunk over at Condemned By Rock'n'Roll - probably the best written music blog that I discovered in 2008. You really should all spend some time over there y'now. The link is over on the right hand side.....and it's here as well.
And since Ms Anglopunk is Canadian, I thought this might be appropriate:-
mp3 : k.d. lang - Hallelujah
Happy Listening



20 comments:
Great blog, great mix of tunes. Leonard Cohen gave his blessing to Jeff Buckley's version. I was watching the top of the pops Christmas special Leona Lewis's voice is far better than Alexandra Burke's voice.
Oh come on, music geeks have always bitched and moaned about the pop charts and the awful tastes of the great unwashed. Anglopunk sounds just like me when I was 17, and probably you too.
I,m with londonlee on this one, i'm a bit of a music snob myself but i cannot stand the superior attitude of the last paragraph. What the fuck is wrong with people wanting to be comfortable, especially in the current financial climate? Also the inference that just because somebody doesn't like your taste in music then they are somehow inferior of mind to the writer I find truly offensive. I have a friend who is an Advocate and possibly the most intelligent person I have ever met who has a terrible taste in music (in my opinion)but who has never not wanted to think to much or be inconvenienced for the sake of truth. I also have one particular friend who loves Jeff Buckley's version of Hallelujah and buys the most obscure, upfront "real music" but has never had an original thought in his head and goes through life oblivious to what is going on. Anecdotal evidence I know, but just as valid as that expressed in the article.
One last point, as every "real music fan" knows their is only one interpretation of Hallelujah which can hold a candle to L Cohen's and that is by Kathryn Williams but unfortunately for her she didn't stupidly drown herself and create a myth.
Leonard Cohen gives his blessing to ALL versions of his songs. He's just that way. Cohen has never suggested any cover version is superior to another.
Considering Jeff Buckley was on a major label and his recording was manufactured to suit label tastes just as Alexandra Burke's has been, it seems much ado about two Sony products.
Hope I didn't come across too pissy but the superior tone of that piece really got up my nose.
No one is holding a gun to her head forcing her to listen to Alexandra Burke's version and think about it, Jeff Buckley is currently sitting at number two in the UK charts. Jeff fucking Buckley! Plus, Leonard Cohen is making piles of cash. It's a win-win far as I can see.
I agree with londonlee (quite spookily as it happens). I read through the first part of the article, finding myself nodding in agreement but as I neared the end I stopped and thought "hang on, that sounds like me at 17 (in 1978!)in full tirade mode at TOTP....
There's some fair points there but whenever musical snobbery rears up, I lose interest.
I must rush to Ms Anglopunk's defence....
I've always argued that no song or bit of music recorded or played live can ever be defined as appalling, for there is always someone out there who will appreciate and even enjoy it. In the same way there's no such thing as good art or bad art, good architecture or bad architecture, etc etc. Its all about taste.
In this article, I think our Canadian scribe has made some hugely vaild and interesting points about the current state of music right now that have nothing to do with musical snobbery....
The whole thing about X Factor nowadays is that it is geared towards finding someone new to sell a shitlaod of records just before Xmas. It wasnt always like that - the first series went out post-Xmas and featured a showdown between Will Young and Gareth Gates. It was only when the execs realised the sales of such singles could be maximised if they were released in December was the show moved to its now traditional slot in the calendar.
Simon Cowell predicted a full month before the end of the show that no matter who was the winner, the X Factor song would be #1 at Xmas. With the exposure the show gets - and non-UK residents I think would be stunned to see just how much newspaper copy it generates every week in the tabloids and broadsheets alike - the Cowell prediction was an inevitable truth.
Equally, when it was announced that the winner would be releasing 'Hallelujah', then it was obvious to anyone with a bit of sense that Alexandra Burke would emerge from the process. You couldnt have male winner as the comparison of Buckley would have been made immediately, and its not exactly a song that lends itself to a group performance. So the execs had to make sure we got someone who can do the full overblown vocals....and ruin it in the same way Whitney Houston once ruined a lovely Dolly Parton song...
As you might imagine, I'm with Anglopunk with her view that Alexandra Burke's cover misses the point of the song, The one thing I'm not bothered about is that it's bring yet another shitload of cash to dear old Lenny...
As for the final paragraph which seems to have annoyed some of you....well for me the killer lines are
'It makes me grieve a little for those who never take a chance on something new or who always desire the utterly artless and artificial, which they deem "reality." These are the people driving the world, let alone the music industry.'
Yes I felt that way when I was a lot longer, and while I may have mellowed somewhat, I still do, even though I've come to accept that it was always thus, and thus it will always be.
More power to your fingertips Ms AP.
'Yes I felt that way when I was a lot longer....'
oo-er missus.
Typo (obviously).
meant to say 'younger'.....
Her point about people "in times of economic crisis, people stick with what they know" is also historically ignorant when you consider England circa 1977-1980.
Sorry Lee, but while punk/new wave emerged, the fact of the matter is the best selling LPs over the period were:-
1977
1 Abba: Arrival
2 The Shadows: 20 Golden Greats
3 Diana Ross & The Supremes : 20 Golden Greats
4 Fleetwood Mac : Rumours
5 Original Soundtrack : A Star Is Born
6 Bread : The Sound Of Bread
7 Various artists (K-Tel): Disco Fever
8 Abba: Greatest Hits
9 The Eagles: Hotel California
10 Leo Sayer : Endless Flight
1978
1 Original Soundtrack : Saturday Night Fever
2 Original Soundtrack : Grease
3 Abba : The Album
4 Boney M : Nightflight To Venus
5 Nat 'King' Cole : 20 Golden Greats
6 Fleetwood Mac : Rumours
7 Electric Light Orchestra : Out Of The Blue
8 Buddy Holly & The Crickets : 20 Golden Greats
9 Don Williams : Images
10 Kate Bush : The Kick Inside
1979
1 Blondie Parallel Lines
2 Electric Light Orchestra :Discovery
3 Leo Sayer: The Very Best Of Leo Sayer
4 Supertramp : Breakfast In America
5 Abba : Voulez Vous
6 Barbra Streisand : Greatest Hits Volume 2
7 The Bee Gees : Spirits Having Flown
8 Abba : Greatest Hits Volume 2
9 The Police : Regatta De Blanc
10 Rod Stewart : Greatest Hits Vol. 1
1980
1 Abba : Super Trouper
2 The Police : Zenyatta Mondatta
3 Rose Royce : Greatest Hits
4 The Pretenders : Pretenders
5 The Police : Regatta De Blanc
6 Roxy Music : Flesh And Blood
7 Michael Jackson : Off The Wall
8 Genesis : Duke
9 Barbra Streisand : Guilty
10 Sky : Sky 2
Those of us of a certain age may have gone against the norm, but the record-buying public stuck very much with what they were comfy with.....
And in 1967 'Strawberry Fields Forever' was kept from the number one spot by Englebert Humperdink and the best-selling album of that decade was 'The Sound of Music' soundtrack. I know all that but, even besides the point that there are names like Blondie, Kate Bush, The Police and The Pretenders on those lists, enough people were buying records by The Sex Pistols, The Jam, The Stranglers, Madness, The Specials, Elvis Costello to give them all Top 10 hits.
Or am I supposed to be angry that 'Unknown Pleasures' wasn't the best-selling album of 1979?
There was also a fundamental revolution in the way that music was recorded, distributed, marketed and sold - not unlike the one, in an entirely different context, that is now occurring, if you look beyond the tabloid headlines and Saturday night TV.
I have to say I also find the 'Anglopunk' argument at best confused and at worst contradictory and snobbish.
And the use of 'artificial and artless' as a pejoration re. pop music is a bit like saying marshmallows are sticky and full of sugar. Sheesh. Some of my favourite ever music is 'artificial and artless'. Hey! I might start a blog with that title!! x
Yes, I'm afraid I found the Anglopunk argument offensive, elitist and full of the worst kind of snobbery - 'real music fans'....pffttt!
Oh well...that's me and Anglopunk in the minority then....
Never mind. Get the beers in.
will do tomorrow.....there's a gathering of myself, Ed (17 Seconds), Matthew (Song, By Toad) and Comrade Colin (And Before The First Kiss) taking place.
First time the four of us will have hooked up at the one time. I fear carnage.....
Cannot wait...you have no idea of the amount of damage I can do after four diet cokes...
As for Anglopunk being snobby...I think the biggest worry is being constantly sticking in their comfort zones. It's not just about music, it's about your approach to life. To stay in your comfort zone is counter-revolutionary, and that's why we need to move forward.
The personal is the political, as Green Gartside used to say...
...just before he became a pop star....x
fair point well made Davy H
Ok Ok we all know the Cowell sanctioned Alexandra version is a travesty. But how cool is it that we Brits have enough savvy to make Jeff Buckley number 2 in the chart? Name me a country where Leonard has had a top 40 hit in the past - oh - 20 years?
Cowell fodder will always clog up the top 5 as it has heavy TV rotation and is aimed at the non music fan, but we still have anough folk here to recognise quality when we hear it - hence Blur, Suede, Neil hannon, Badly Frawn Boy, Arctic Monkeys at #1, Franz Fredinand, Glasvegas in the top ten etc etc
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